Transformations

At the start of the 20th century it had a series of transformations in the whole world in the most varied fields of the society. The Europe sees the growth of the Democracy and the capitalism to the side of the socialism and the communism. Science and the industry had progressed frightfully. The world suffers the rocking from two great wars. In the literary field ‘ appears Marinetti with its; ‘ Manifesto of the Futurismo’ ‘ nailing the age of the speed, the aggressiveness and the machine. It tried abolishes academic tradition in literature. It said that literature would have to be turned toward the gift.

It wanted the total freedom of the art. In Brazil the Modernismo had as precursory Oswald de Andrade in 1912 that it brought the ideal of Marinetti for Brazil and Manuel Flag assimilated the new chain in the Whisker. Continue to learn more with: David Zaslav. In 1917 Anita Malfatti it carries through a painting exposition based in the Italian Cubismo. It finished deserving critical of called Lobato Hunter ‘ ‘ Meaconing or Paranoia? ‘ ‘ In 1922 the Week of the Modern Art was launched in So Paulo. This week consisted of expositions, debates, lectures, declamations, everything if base I walk in the new style. It was the landmark of the Modernismo. The characteristics of the Modernismo are, almost always, against the traditional concepts as: total freedom of expression form, use of the coloquial language, use of the free verse, without rhymes, without metric, chronological and space discontinuity, mood in the poetry, nationalism of the landscape and sensitivity of the history of the land, Brazilian regionalism, folklore, legends, myths, little description of the personages, direct language, universalism and many others. The foundation of the public library and the center grossense Weeds of Letters, had come to contribute majestical in our literature.

Natural Mathematics

The first attempt of autonomy was given with the Regency (1830-1841), but only was with the Announcement of Republic that Brazil was broken up definitively of Portugal. This fact took the men of letters of century XIX to explore the subject of the nationalism. The search of ' ' symbols that translate our life social' ' , it affirms Araripe Jnior. The simbolistas searched to integrate the poetry in the cosmic life, using an indirect and appeared language. It still fits to stand out that the difference between the Symbolism and the Parnasianismo is not first in the form, since both use certain formalismos (use of soneto, of metric the traditional one, of you rhyme them rich and rare and of rich vocabulary), but in the content and the vision of world of the artist.

Although to follow some aesthetic effect of the Parnaso, this movement disrespected the traditional grammar with intention not to limit the art to the object, working msticos and sentimental contents, using for in such a way the sinestesia (mixture of sensations: tato, vision, olfato). This literary chain gave exclusive attention to the submerged substance of ' ' eu' ' , exploring it by means of a pessimistic language musical comedy, in which the emotiva load of the words is salient; the poetry comes close to music using aliteraes. POETICAL AND the STYLE OF CROSS AND SOUSA AND ALPHONSUS GUIMARAENS AND AUGUSTUS OF the ANGELS the poet Joo de a Cruz and Sousa was born in Deportation (current Florianpolis) in day 24 of November of 1861, son of blacks alforriados, since small received the guardianship and a refined education from its former-Mr., the Marshal Guillermo Xavier de Sousa – of who it adopted the family name. Frenchman, Latin learned and Greek, beyond having been disciple of the German Fritz Mller, with who he learned Natural Mathematics and Sciences.