The recognition of the other is not enough to assure the communication, the debate, but yes a teaching concrete of sprouting of the order of the world, the conscience human being; Discardings said: between the extension and the soul. ‘ ‘ To recognize the Other does not consist nor of discovering in it, as in me exactly, a universal Citizen, nor accepting its difference, but to recognize that we make, with materials and in different situations, the same type of effort to combine intrumentalidade and identity. It treats then to recognize the Other as Subject and of if thus recognizing itself as exactly Subject. (Touraine Alain). She is necessary to present in the schools on the nature of the societies and its complexities. The anthropology contemporary has today many possibilities and became a field of in such a way rich knowledge and complex, that is not more possible the capable generalista figure of dominates it in its some branches and trends. The question of the unit and continuity of the social systems continues as central control point of disciplines. The scene of the Brazilian poetry comes if desconstituindo from a valuation that if express by means of the diversity of groups and individualities poetical that they are given through the cult of ‘ ‘ eu’ ‘ .

In this direction the poet if places in a species of dawn of gnese, that is, I free of any rule or literary convention. The erosion of the literary system that backwards the idea of what it is not rule can modify the image of what it comes to be literature and what can be taught, what is said in this research of work is that to enclose the equality idea the presentation of the diversities is necessary and that for this has a igualitria conscience. Here significant poetries will be presented that if had kept for much time far from Literature for not being considered of value, breaking then this paradigm, are fortified here the singularity of the Brazilian poetry and its vast culture. In the poem ‘ ‘ Sounds for Lumumba’ ‘ , it in the account that its name is indian and that in its tamoio being or tupi if it calls Moacyr, son of fish of waters, son of pain andeja draining as rain in the eyes of our people. Moacyr Flix is the poet who organized and prefaced the three volumes of the series Violo de Rua, the poem election of some authors, in books of pocket, made for the CPC of JOIN. Moacyr Flix disclosed the necessity of if to weave one another one I sing to apprehend you strike them of the black man against racism and the neocolonialismo. ‘ ‘ Sounds for Lumumba’ ‘ , leader assassinated congols politician in 1961 (FLIX, 1966: 50): My name is indian, Lumumba: Since the cradle until the tomb I will call Moacyr. Flix wants the Europe of Rome and all to me opas that they had taught to me to trair with positions of savant my tamoio being or tupi: son of fish of the waters that take the highest point to the khaki one, son of pain andeja draining as rain in the eyes of people there. But my body, Lumumba, uiva a dog of treva and hurt all made of negror: is your Congo that lateja in this sofredor verse when the night to thus speaks me of what it dies in me, senzala under the relhos of the administrator.