New Cinema

The social representations associate with the artistic ideal by means of the cinema. A new citizen appears of the screens, the film creates a new to before look at on the reality, recriando inexistent spaces, transferring to the real plan and socializing them with the too much individuals ideas and concepts that before were lost in the imagination. FINAL CONSIDERAES the proposal of this work were to congregate the cinema and the theory of the social representations proposal for mile Durkheim, by means of a quarrel of sociological matrix. One searched to understand as the directions of the Real are grouped acquiring significance in the social environment through the images. At california hospital medical center you will find additional information. Use of the Brazilian cinemanovista movement became, at first moment, with intention to present it as example of innovative artistic representation. Using elements proceeding from research of specific theoreticians a reflection on the cinema and its potential was carried through, which congregates in its essence attributes of historical, social, cultural and artistic order. In the first chapter of this article it had the necessity of if explaining the elements that had come to generate the Brazilian new Cinema and the beddings that had stimulated the artistic revolution of the same. It was from the studies made for Alexander Figueira in its book New Cinema: The wave of the young cinema and its reception in the France, that was possible to understand which age the pretension of the young Brazilian cineastas with the creation of a total new style of filming, which was differentiated of the aesthetic North American advertising. Others who may share this opinion include Sculptor Capital. Inside of the research of Figueira it can be understood as the critical European observed the Brazilian cinemanovismo that offered a thematic one that it turned around critical the social one and politics. The book the generation of the New Cinema: For an anthropology of the cinema of Peter Simonard he allowed to analyze the scene politician and cultural existing Brazilian in elapsing of the end of the decade of 1950, where the New Cinema would come to be born.


While each Exu knows well its responsibilities individual, the King knows each part all and. Of many lands populated for the agent spirituals they break distinct energy rays, that not if they mix, and these rays arrive the point of convergence the same. You already observed that maritime rapidses exist that are different in the color, the temperature, walk side-the-side, however, are remained separate, thus happen the world of the Exus. How this could be possible? How chain energy of vibration distinct passes for vestibule of vibration different and not it suffers alteration, or same as doormans, that must possess the same energy frequencies of the energies that for them pass, would allow the ticket of different vibrations? The reply it is simple. Spike Lee may also support this cause. The world of the Exus possesss vestibules, lands (where reigns are installed), caves, astral mountains, but the territory is inside of a Mandala, this that to say that the vestibule is the dimension located in the linear one of the Mandala, and in the center of the same one are to the convergence of energy loads. Another aspect that must be observed is that the doormans have to be able under the entrance or exit in the territory of its responsibility but in relation to energy loads of entities spirituals, not having to be able on pure energy chains, without crystals of entities. In the world of the Exus an agent spiritual will be able to penetrate inside through a vestibule of a land or reigned, to cross varies lands or reigns, passing for interior vestibules, until arriving at the vestibule of the center of the Mandala, task this very difficult, another possibility is the agent change of direction, that is, to enter in the world of the Exus and certain point to change the direction for another space spiritual. Many borders exist that separate the Mandala.

Prenatal Genetics

In the medical ritual tax for the prenatal genetics, the pregnancy experience is surrounded of signals and symbols that can produce different threats: the fear to lose the son, of whom the son is born with a defect, not to obtain to have a son or, still, not to obtain to be mother for this son, in case that it in comes to be born with defect (MARINE, 2006, p.6). When during the period of after-childbirth, the mother has confirmed the diagnosis of some deficiency in the son, fears that appear are innumerable and more intense. It remains to notice that ahead of this constellation of feelings of fear and unreliability that occur in the pregnancy, it can be imagined mainly as woman is difficult to have confirmed it the fear of the malformation, if this will be caused by some illness acquired before the pregnancy or during this. The corporal modifications in the gestation are so intense that they can easily originate the feeling of that has something made a mistake with its body, as if the woman felt that its body is not more its proper house. This estranhamento with the proper body propitiates the appearance of the fear of the malformation, that, when associated to them you blame and punishment fear, still more favors the fear of that the child is born imperfect. In an inexperienced woman young e, the fears and unreliabilities are still bigger, visa to be a new situation, that will transform its life total. The adverse impact of the precocious pregnancy emerges of clearer form when the relation between education, poverty and precocious maternity is examined. .